Monday, 8 February 2010
The script for our film noir
The Script
It is a cold, dark night and a damsel is walking home along an alleyway next to some allotments after a long night out with her friends. Whilst walking she hears footsteps behind her, so she quickens her pace, to find that the person behind her does exactly the same thing. She peers behind her to see a silhouette of a tall man holding a gun. The damsel then drops her bag and runs as fast as she can to the end of the ally way. Realising that she’s getting away the man shoots her in the leg, resulting in her falling to the ground. He then pulls out a rope and strangles her to death, leaving her until some one finds her.
Night turns into day and the Damsel lies dead surrounded by police officers and crime scene investigators.
It is a cold, dark night and a damsel is walking home along an alleyway next to some allotments after a long night out with her friends. Whilst walking she hears footsteps behind her, so she quickens her pace, to find that the person behind her does exactly the same thing. She peers behind her to see a silhouette of a tall man holding a gun. The damsel then drops her bag and runs as fast as she can to the end of the ally way. Realising that she’s getting away the man shoots her in the leg, resulting in her falling to the ground. He then pulls out a rope and strangles her to death, leaving her until some one finds her.
Night turns into day and the Damsel lies dead surrounded by police officers and crime scene investigators.
Crime scene investigator; “She’s the same as the others”
Hard boiled detective; “It’s the fourth one this week, I’m sick of this shit!” (Flicks the end of his cigarette at the victim)
Chief Investigator grunts and glares at the body. The investigator along with the hard boiled detective walk away from the scene, leaving the chief of detectives/murdered glaring over the victim, whilst smoking the rest of his cigar. A femme fatale then appears at the opposite end of the ally leaning against the fence watching the chief of detectives.
Wednesday, 3 February 2010
Actors, Location and Costume/Props list
Actors List:
Character Types:
Hard Boiled Detective
Femme Fatale
Murderer
Crime Scene Investigators
Damsel
Caroline Huntley- Femme Fatale
Ashleigh Robinson- Damsel
Jo Liddle- Crime Scene Investigators
Chris Hodgson- Hard Boiled Detective
Alex Portway- Murderer
Locations List:
Main Location for shooting: Allotments close-by (made to look like a cityscape)
Some places indoors could be used to film parts with newspapers, photos etc.
Costumes & Props List:
Character Costumes:
Femme Fatale- Formal dress maybe red or a colour to stand out from the rest
Damsel- Typical 1950’s clothes, not too formal, could be ripped in some parts were she has been running away
Hard Boiled Detective- Long coat, shirt and tie, trilbee or other similar hat.
Crime Scene investigators- Similar to detectives, maybe glasses.
Murderer- Long black coat, hat, leather gloves.
Props:
Femme Fatale- Cigarette, Red Lipstick, Purse
Damsel- Bag
Hard Boiled Detective- Cigarette, Gun, Police Badge
Crime Scene investigators- Camera, maybe protective equipment, number cards next to the crime scene, possibly police tape
Murderer- Gun, Rope
Monday, 1 February 2010
Thursday, 28 January 2010
Film Noir History
Research collected on the history of film noir:
A film noir is traditionally used to describe stylish Hollywood crime dramas, especially the type with sexual motivations and to emphasize cynical attitudes. Film noir is believed to of started from the early 1940’s stretching to the late 1950’s. This era of film noir is associated with a low key, black and white visual style. French critic ‘Nino Frank’ was the first person to use the term film noir. This was unknown to most American film industry professionals from this classical era. Film noir covers many different plots such as the lead role, which tends to be a detective, plain clothes police man, ageing boxer, hapless grafter, a law abiding citizen lured into criminal life, or a victim of incident.
In the beginning stages of a film noir most features where American productions, from the 1960 are onwards however film noir has been made throughout the world. Despite different producers and script writers, each individual film noir still contains attributes from the originals.
Neo noir are simply modern renditions and echoes of the classic version of film noir. “The first major film to overly work this angle, was French Director ‘Jean-Luc Godard’s’ Á Bout De Soufflé, which pays it’s literal respects to Bogart and his crime films while brandishing a bold new style for a new day”. Film noir and Neo Noir are generally set post date (before the time they were filmed).
Visual styles of film noir – They tend to use low key lighting schemes which produce light and dark contrasts, giving the film a dramatic shadow patterning. Film noir has developed ‘a cliché’ of sorts, this being the shadow cast upon a scene from venetian blinds or banister rods; this came before the Neo era. Due to the intensity of darkness from the black and white contrast, sometimes the characters faces are partially or wholly obscured in darkness; this is rare in conventional Hollywood movie making. Many directors and movie critics consider black and white cinematography to be one of the essential attributes of classic noir.
Plots, characters and settings. – all film noirs have the element of crime – usually murder. Motivations for the crimes are generally greed or jealousy. There will be in all film noirs an investigator, whom is prevalent, but far from dominant. False suspicions and accusations of the crime are a common trait in the plot. The heroes in the plots of film noir, who are morally questionable, are often fall guys of some sort. Film noir is generally associated with urban settings in cities such as: Los Angeles, New York, San Francisco etc. The cities where they are set are said to be by critics “like a labyrinth or maze” – including settings within bars, lounges, night clubs and gambling venues; these tend to be the scenes of action! Commonly in film noir there is a lot of filming set at night or whilst it is raining.
A film noir is traditionally used to describe stylish Hollywood crime dramas, especially the type with sexual motivations and to emphasize cynical attitudes. Film noir is believed to of started from the early 1940’s stretching to the late 1950’s. This era of film noir is associated with a low key, black and white visual style. French critic ‘Nino Frank’ was the first person to use the term film noir. This was unknown to most American film industry professionals from this classical era. Film noir covers many different plots such as the lead role, which tends to be a detective, plain clothes police man, ageing boxer, hapless grafter, a law abiding citizen lured into criminal life, or a victim of incident.
In the beginning stages of a film noir most features where American productions, from the 1960 are onwards however film noir has been made throughout the world. Despite different producers and script writers, each individual film noir still contains attributes from the originals.
Neo noir are simply modern renditions and echoes of the classic version of film noir. “The first major film to overly work this angle, was French Director ‘Jean-Luc Godard’s’ Á Bout De Soufflé, which pays it’s literal respects to Bogart and his crime films while brandishing a bold new style for a new day”. Film noir and Neo Noir are generally set post date (before the time they were filmed).
Visual styles of film noir – They tend to use low key lighting schemes which produce light and dark contrasts, giving the film a dramatic shadow patterning. Film noir has developed ‘a cliché’ of sorts, this being the shadow cast upon a scene from venetian blinds or banister rods; this came before the Neo era. Due to the intensity of darkness from the black and white contrast, sometimes the characters faces are partially or wholly obscured in darkness; this is rare in conventional Hollywood movie making. Many directors and movie critics consider black and white cinematography to be one of the essential attributes of classic noir.
Plots, characters and settings. – all film noirs have the element of crime – usually murder. Motivations for the crimes are generally greed or jealousy. There will be in all film noirs an investigator, whom is prevalent, but far from dominant. False suspicions and accusations of the crime are a common trait in the plot. The heroes in the plots of film noir, who are morally questionable, are often fall guys of some sort. Film noir is generally associated with urban settings in cities such as: Los Angeles, New York, San Francisco etc. The cities where they are set are said to be by critics “like a labyrinth or maze” – including settings within bars, lounges, night clubs and gambling venues; these tend to be the scenes of action! Commonly in film noir there is a lot of filming set at night or whilst it is raining.
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